Clips from six massive new instrumental Daft Punk songs are streaming on Seattle’s 107.7 the End radio site. Go!
[End via Pitchfork]
Hear a Preview of Daft Punk’s Tron Soundtrack ncG1vNJzZmivp6x7t8HLrayrnV6YvK57kWloaWdgbHypscCrlpqXoKeyt7XEsJaono%2BZrqfAvqmsp6OjlMFvtNOmow%3D%3D
Christopher Nolan. What if awards season was British? That’s the question posed each year by the British Academy Film Awards, a.k.a. the BAFTAs, which were held in London on Sunday, February 18. The awards show was helmed this year by host David Tenant at the Royal Festival Hall. Tenant opened the show with a sketch re-enacting his show Staged with Michael Sheen, who requested he watch his dog “Bark Ruffalo” on the night of the awards.
House of Cards Chapter 21 Season 2 Episode 8 Editor’s Rating 3 stars *** «Previous Next» « PreviousEpisode NextEpisode » House of Cards Chapter 21 Season 2 Episode 8 Editor’s Rating 3 stars *** «Previous Next» « PreviousEpisode NextEpisode » Apparently while working on this episode, the eighth of season two, someone in the House of Cards writers’ room stood up and said, “Oh my God, we only have five more episodes after this one and we still haven’t included nearly enough sex in our narrative.
Paul Mescal and Daisy Edgar-Jones as Connell and Marianne. There’s a sex scene in the second episode of Normal People that lasts nine minutes and 24 seconds — or, put another way, a third of the entire episode. It begins with Marianne (Daisy Edgar-Jones), our endearingly awkward heroine, haphazardly applying eyeliner, then wiping it off in frustration before pulling on a blazer and walking nervously over to Connell’s (Paul Mescal) house.
Amanda Peet plays Betty Broderick in this season of Dirty John. The first season of Dirty John, which focused on a scheming playboy who messed with the wrong family of women, came down to a handful of central characters, all played by recognizable faces. The latest iteration of the anthology series, The Betty Broderick Story, traffics in fundamentally familiar territory — a scandalous domestic murder against an illusory backdrop of high society — homing in on spousal duo turned divorced nemeses Betty and Dan Broderick.
Starfield’s pitch is straightforward: IT’S SPACE, BABY. In Bethesda’s new NASA-core role-playing game, the grand possibilities of endless galactic nothingness are the point. The story necessitates that you bounce across the stars on the hunt for mystical artifacts, but the sprawling design practically begs you to wander off to sample the numerous other adventures on offer. You can navigate the political muck of opposing factions, spend hours building hopelessly elaborate ships, grind it out as a space trucker, or bop around as a pirate shouting, “Pew pew pew.
Descending into the festival darkness with Harrison Ford, The Idol’s cast, Leo, Marty, and more. The cast of Indiana Jones and the Dial of Destiny at the film’s Cannes premiere. Photo: Pascal Le Segretain/Getty Images The cast of Indiana Jones and the Dial of Destiny at the film’s Cannes premiere. If the act of getting into Cannes parties were a video game (nobody do this), here’s how the levels might break down in order of sheer difficulty: level one, fest-sponsored happy hours and lunches open to anyone with a press badge; level two, beach parties hosted by various alcohol sponsors, smaller films playing at the fest, and trades; level three, hotel and/or beach parties hosted by distributors like Mubi, A24, etc.
Yup. Interesting choice, Warner Bros. [Best Week Ever]
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For decades, Teresa Lancaster talked about the rape and sexual abuse she endured at the hands of a local Catholic priest, police officers, and other men in her Baltimore community. She even told her husband, Randy, about it the night they met at a party. “I had a habit of doing that,” Lancaster told Vulture in an interview. “I think it was my own way of therapy.”
Nevertheless, Lancaster’s participation in The Keepers — Netflix’s unflinching documentary series about the horror she and others endured at the all-girls Archbishop Keough High School — followed years of silence.
As Jane the Virgin comes to an end, it’s time to reflect on the gifts the CW’s little dramedy-that-could bestowed upon us, including but certainly not limited to: a simultaneously smart and earnest look at a multigenerational family, a celebration of love in all forms, Rogelio De La Vega, Gina Rodriguez’s seven-minute monologue, the treasure that is Jane and Petra’s friendship, a Pavlovian response in which you cry every time you see a porch swing, and, holy hell, some of the greatest plot twists in the game.