Are you trying to shake a little something or what? Cardi B and Megan Thee Stallion’s latest joint single, “Bongos,” is like a personality test for twerking. The music video catches all sorts of ass being thrown, served, and displayed over a dembow-type beat, with no breaks for a chorus, let alone a hamstring stretch. It’s a literal change of pace for both rappers, on their first releases since Cardi’s stint as a drill rapper collaborating with Kay Flock, her remix of Latto’s “Put It on da Floor,” and Megan Thee Stallion’s vindicating 2022 album, Traumazine.

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Viner turned Disney star turned YouTuber turned boxer Jake Paul has put his money where his gloves are, sort of. He challenged UFC president Dana White for better working conditions for fighters. Jake Paul demands several things: an increase in minimum fighter pay to $50,000, guaranteeing UFC fighters 50 percent of annual revenues, and long-term health care for all fighters. He challenges White to accept the offer in five days and implement changes by the end of March.

best of 2018 Nov. 2, 2018 The Best Songs of 2018 (So Far)Including Cardi B, the Weeknd, Kacey Musgraves, Beach House, Janelle Monáe, Kendrick Lamar, and more. By Vulture Editors ncG1vNJzZmivp6x7t8HLrayrnV6YvK5705qerGealrumuMueZKannpaycA%3D%3D

Killing Eve Making Dead Things Look Nice Season 4 Episode 7 Editor’s Rating 4 stars **** «Previous Next» « PreviousEpisode NextEpisode » Killing Eve Making Dead Things Look Nice Season 4 Episode 7 Editor’s Rating 4 stars **** «Previous Next» « PreviousEpisode NextEpisode » The first time we lay eyes on Eve, in the series premiere, she’s half-asleep and fully hungover from Bill’s birthday party.

Did you know that Lana Del Rey released an album this year called Did You Know That There’s a Tunnel Under Ocean Blvd? Maybe that’s why she didn’t have time to be on the Priscilla soundtrack. (She only worked one shift at Waffle House, so that can’t be it.) Sofia Coppola recently told E! News that Lana could’ve been part of the Priscilla Presley biopic. You know, the one that Jacob Elordi says he prepared for by eating about a pound of bacon every day.

The handsome Apple TV+ adaptation of Bonnie Garmus’s best-selling novel is carefully considered and completely uninterested in challenging its audience. In Lessons in Chemistry, Bonnie Garmus’s wildly popular, 1960s-set debut novel, Harriet is the nosy neighbor of cohabitating chemists Calvin Evans and Elizabeth Zott. Blunt-spoken and unhappily married to a caricature of a bad husband — Garmus describes him as “dull” and “stupid” with “a thicket of body hair” — Harriet becomes both the regular babysitter for Mad, Elizabeth and Calvin’s daughter, and a representative of every unfulfilled white woman who discovers new possibilities past what is supposed to be her prime.

Marvel’s Luke Cage Blowin’ Up the Spot Season 1 Episode 8 Editor’s Rating 3 stars *** «Previous Next» « PreviousEpisode NextEpisode » Marvel’s Luke Cage Blowin’ Up the Spot Season 1 Episode 8 Editor’s Rating 3 stars *** «Previous Next» « PreviousEpisode NextEpisode » Simone Missick as Misty. What makes a great villain? Within the realm of superheroes, the greatest villains hold up a mirror to protagonists.

This post was originally published in 2015. We have updated it to include Split. A well-executed plot twist is a neat trick, employed by wily directors eager to give an audience that’s seen it all something new. M. Night Shyamalan has made his career on the plot twist. Aside for a few notable exceptions, his body of work is full of gotcha moments, laboring heavily under their own ambitions, trying in vain to surprise a jaded audience, and, more often than not, failing miserably.

Consider it a dare. The mayor of a city in northern France is asking Madonna to open her (he)art collection. That’s because the singer owns a painting that may have been lost since World War I, according to Brigitte Fouré, mayor of Amiens. The painting — “Diana and Endymion,” by Jérôme-Martin Langlois — was completed in 1822, commissioned by Louis XVIII for Versailles. The Musée des Beaux-Arts in Amiens showed the painting beginning in 1878, but it was thought that it had been destroyed when it disappeared after the city was bombed in 1918.